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![]() ![]() Notes for Contributors to Memoirs of the American Academy in Rome (articles) Note:The Publications Committee of the American Academy in Rome has affirmed that the American Academy in Rome stands with the Archaeological Institute of America in its policies in regard to obtaining and publishing archaeological, artistic and cultural properties. These policies, which will be observed by the Editor of the Memoirs of the American Academy in Rome, can be found at the following websites: http://www.ajaonline.org/pdfs/AJA1092_Norman.pdf 1. Preparation of manuscriptsIn general refer to The Chicago Manual of Style, 15th edition, and to Webster's Third International Dictionary, as guides for style, copyediting, capitalization, spelling, and hyphenation. Manuscripts should be double-spaced, including notes and bibliography, with wide and left-justified margins and may be submitted by post or as an e-mail attachment. The author's name and address should appear only on the cover sheet, together with the full title of the article. The full title should also appear on the first page of the manuscript. The text and notes of the article must contain no indications of the author's identity; acknowledgments may be added after the article has been accepted for publication. If the piece is accepted for publication, please submit the final version in both a diskette (or CD) and paper copy, identifying fully the software program for the electronic version (e.g., "Microsoft Word 5.1 for Macintosh"). Electronic submissions are welcome (and encouraged) at any stage in the submission process and may be sent to maar@aarome.org, but final versions must be accompanied by hard copy. For modern foreign languages, quotations of more than a line or two should be translated into English (or into the language of the article, if it is not in English). If the original text is of direct importance, it may be quoted in a footnote. For Latin and Greek, translations should be provided of all quotations either in the text following the original quotation, or in a footnote. Use a Unicode Greek font for any Greek text. For articles treating classical antiquity, B.C. and A.D. should be used when there is a possibility for ambiguity. 2. Citations For the names of ancient authors and their texts, use the abbreviations listed in The Oxford Classical Dictionary, Third edition (Oxford 1996). Please do not abbreviate titles of periodicals. Please provide in full the first and last number of all instances of inclusive numeration (e.g. 321-325, 1002-1006, 11546-11578). Notes should be numbered consecutively and placed at the end of the text. All references are given in shortened form, consisting of the author's surname, year of publication, and the relevant page number(s), as:
Crombie, A. C., "Science and the Arts in the Renaissance: The Search for Truth and Certainty, Old and New," in Science and the Arts in the Renaissance, ed. J. W. Shirley and F. D. Hoeniger (Washington, D.C. 1985) 15-26. Friedländer, L., Roman Life and Manners under the Early Empire, 4 vols., trans. A. B. Gough (London 1928).
Baxandall 1971b, 231-233. For manuscripts containing references to archival sources, early printed editions, or analogous material, authors are encouraged to include a separate section in the Works Cited containing a listing of Primary Sources or Abbreviations. The Memoirs of the American Academy in Rome encourages authors to submit illustrations in digital form. Digitized photographs should be grayscale images, preferably tiff files, that are at least 300 dpi at 5” by 7” or appropriate legible dimensions. Line drawings work best as vector graphics, preferably Adobe Illustrator or eps files. If they are rasterized, they should be at least 600 dpi. Contact Peg Lourie (plourie@umich.edu) with questions or concerns about digital illustrations.
Fig. 3. Lentini Painter, red-figure lebes gamikos, side a: Persephone and Eurydike. Syracuse, Museo Regionale Archeologico "Paolo Orsi" (photo Alinari). Fig. 11. Bronze statuette of emaciated man. Washington, D. C., Dumbarton Oaks Collection (photo Collection). Fig. 2. Book of Durrow, cross-carpet page. Dublin, Trinity College MS 57, folio lv (photo Trinity College).
Fig. 10. Rome, S. Carlino alle Quattro Fontane, architect F. Borromini; detail of pier capital, courtyard (photo Anderson). Fig. 5. Tarquinia, Ara della Regina temple, from east (photo author). Prof. Vernon Hyde Minor Phone: (217) 351-1691 Revised April 2007.
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