On Improvisation: Sound, Space, Thought - Day Three
Photo by Rachael Hacking
This three day event brings together workshops, panel discussions, a keynote conversation and two concerts of improvised music: a unique opportunity to learn about, observe and celebrate spontaneity as it happens. At a time when so much is rationalized, collective improvisation reminds us of the extraordinariness of play, human creativity, and non-verbal understanding.
Join us for three days of feeling and thought, as musicians listen and respond to one another. Music will be created in the moment over two evenings: first at Villa Aurelia at the American Academy in Rome, and the following night at the Auditorium Parco della Musica Ennio Morricone, where the International Contemporary Ensemble and Nuova Consonanza will perform together.
Highlights include Sonic Architecture, a conversation on sound and space with architect and vibraphonist Christopher Dell, artist Taji Nahl and sound studies scholar Gascia Ouzounian, musicians include Miya Masaoka, Tomeka Reid, Alvin Curran and Giancarlo Schiaffini, four leading figures in experimental music.
Music will be created in the moment twice: on 24th November at Villa Aurelia, where the International Contemporary Ensemble performs Suono e Spazio, and on 25th November at the Auditorium Parco della Musica for D’Improvviso, where the Ensemble and Nuova Consonanza are joined by composers, musicians and musicologists; Dell, Masaoka, Reid, Curran and Schiaffini.
All events are free and open to the public, with the exception of the concert on Wednesday, 25 November, which is ticketed.
Monday, 23 November 2026
16.30 – 18.00 · Villa Aurelia, AAR
Critical Perspectives on Improvisation: Philosophical and Musicological Reflections (I)
- 16.30 – 16.40 Alessandro Bertinetto, Università di Torino
- 16.40 – 16.50 Laura Cremonesi, Scuola Normale Superiore di Pisa
- 16.50 – 17.05 Vincenzo Caporaletti, Università di Macerata
- 17.05 – 17.20 Discussion moderated by Alessandro Sbordoni
- 17.20 – 18.00 Questions
In Italian with simultaneous on-screen AI translation.
18.00 · Villa Aurelia, AAR
Reception and Welcome
Tuesday, 24 November 2026
14.00 – 15.45 · Villa Aurelia, AAR
Sonic Architecture: Perspectives from Sound Art, Visual Art, Music, Architecture, Urban Planning
- 14.00 – 14.10 David P. Brown, University of Illinois Chicago “Resonation”
- 14.10 – 14.20 Gascia Ouzounian, University of Oxford “The City of Waves: Energetic and Vibrational Architectures”
- 14.20 – 14.40 Christopher Dell, Bergen School of Architecture, “The Improvisation of Space”
- 14.40 – 14.50 Taji Nahl, FAAR ‘26, “Video Almanac: Abstract Dynamics”
- 14.50 – 15.00 Morgan O'Hara, artist, “LIVE TRANSMISSION: Movement of the hands of musicians in performance”
- 15.00 – 15.35 Discussion moderated by George Lewis, Columbia University
- 15.35 – 15.45 Audience Q&A
In English with simultaneous on-screen AI translation
- 15.45 – 16.30 Coffee Break
16.30 – 17.30 · Villa Aurelia, AAR
Inside Improvised Music
Members of International Contemporary Ensemble and Nuova Consonanza discuss their creative processes.
Nuova Consonanza: Virginia Guidi, voice; Gianni Trovalusci, flute; Paolo Ravaglia, clarinet; Simone Alessandrini, saxophone.
International Contemporary Ensemble: Fay Victor, voice; Isabel Lepanto Gleicher, flute; Joshua Rubin, clarinet; Rebekah Heller, bassoon; Darius Jones, saxophone; Jonathan Finlayson, trumpet; Cory Smythe, piano; Kyle Armbrust, viola.
Moderated by Christopher Dell, Bergen School of Architecture
In Italian and English with simultaneous on-screen AI translation
- 17.30 – 18.00 Coffee Break
18.00 – 19.20 · Villa Aurelia, AAR
Critical Perspectives on Improvisation: Philosophical and Musicological Reflections (II)
- 18.00 – 18.10 Fumi Okiji, University of California, Berkeley, “Nihilism of the Line”
- 18.10 – 18.25 Harald Kisiedu, Institut für Musik, Hochschule Osnabrück,"More Kinds of Improvisation: Alvin Singleton’s Improvisational Pieces."
- 18.25 – 18.55 Alessandro Sbordoni, Ensemble Exàifnes, “Exàifnes: a landing point”
- 18.55 – 19.10 Discussion moderated by Gascia Ouzounian, University of Oxford
- 19.20 – 19.50 Break
20.00 – 21.15 · Villa Aurelia, AAR
Suono e Spazio: A Concert of Improvised Music
International Contemporary Ensemble: Fay Victor, voice; Isabel Lepanto Gleicher, flute; Joshua Rubin, clarinet; Rebekah Heller, bassoon; Darius Jones, saxophone; Jonathan Finlayson, trumpet; Cory Smythe, piano; Kyle Armbrust, viola.
Wednesday, 25 November 2026
17.30 – 19.40 · Auditorium Parco della Musica Ennio Morricone, Teatro Studio Gianni Borgna
Histories and Futures: Keynote Conversation
Moderated by George E. Lewis, Columbia University
- 17.30 Moderator's introduction
- 18.05 – 18.20 Alvin Curran, composer/sound artist
- 18.25 – 18.40 Giancarlo Schiaffini, trombonist/composer, Nuova Consonanza
- 18.40 – 18.55 Alessandro Sbordoni, Ensemble Exàifnes
- 18.55 – 19.10 Tomeka Reid, cellist/composer
- 19.10 – 19.25 Miya Masaoka, composer/sound artist, Columbia University
- 19.25 – 19.40 Discussion
In English and Italian with simultaneous on-screen AI translation.
20.00 – 21.15 · Auditorium Parco della Musica Ennio Morricone, Teatro Studio Gianni Borgna
D’Improvviso: International Contemporary Ensemble e Nuova Consonanza In Concert
Nuova Consonanza: Virginia Guidi, voice; Gianni Trovalusci, flute; Paolo Ravaglia, clarinet; Simone Alessandrini, saxophone.
International Contemporary Ensemble: Fay Victor, voice; Isabel Lepanto Gleicher, flute; Joshua Rubin, clarinet; Rebekah Heller, bassoon; Darius Jones, saxophone; Jonathan Finlayson, trumpet; Cory Smythe, piano; Kyle Armbrust, viola.
Christopher Dell, vibraphone; Miya Masaoka, koto; Tomeka Reid, cello; Alvin Curran, electronics; Giancarlo Schiaffini, trombone.
George Lewis (2010 Resident) is an American composer, musicologist, trombonist, and the Artistic Director of the International Contemporary Ensemble. He is the Edwin H. Case Professor of American Music and Area Chair in Composition at Columbia University. He has been awarded a MacArthur Fellowship, a Guggenheim Fellowship and the Doris Duke Artist Award. He is a Fellow of the American Academy of Arts and Sciences, American Academy of Arts and Letters, a Corresponding Fellow of the British Academy, an Honorary Member of the American Musicological Society, a Member of the Akademie der Künste Berlin, and a Trustee of the American Academy in Rome.
Nuova Consonanza is a non-profit cultural association dedicated to the promotion of contemporary Italian and international music, and one of Italy's most important organizations dedicated to experimental improvised music. It was founded in the late 1950s by composers Mario Bertoncini, Mauro Bortolotti, Aldo Clementi, Antonio De Blasio, Franco Evangelisti, Domenico Guaccero, Egisto Macchi, Daniele Paris, Francesco Pennisi and since 1963 it has organized an annual festival.
The International Contemporary Ensemble, now in its third decade, is a collective of musicians, media artists, and educators committed to reimagining contemporary music and sound by commissioning, developing, recording, and performing the works of living artists. The Ensemble has premiered over 1,000 works, and many of its collaborators have developed highly influential careers, including Du Yun, who won the 2017 Pulitzer Prize for her opera Angel's Bone, which the Ensemble developed and premiered; and MacArthur "genius" Fellows Tyshawn Sorey and Courtney Bryan. Notable presenting partners include Lincoln Center (New York), Museum of Contemporary Art Chicago, TIME:SPANS Festival, Roulette, Miller Theatre, Warsaw Autumn, Darmstadt International Summer Courses for New Music, Cité de la Musique (Paris), Park Avenue Armory, Metropolitan Museum of Art, Ojai Music Festival, Big Ears Festival, Dutch National Opera, Carnegie Hall, and Walt Disney Concert Hall.
For access to the Academy, guests will be asked to show a valid photo ID. Backpacks and luggage with dimensions larger than 40 x 35 x 15 cm (16 x 14 x 6 in.) are not permitted on the property. There are no locker facilities available. You may not bring animals (with the exception of seeing-eye/guide dogs).
The Academy is accessible to wheelchair users and others who need to avoid stairs. Please email us at events@aarome.org if you or someone in your party uses a wheelchair or other mobility devices so that we can ensure the best possible visitor experience. If you are someone with a disability or medical condition that may require special accommodation, please also email us at events@aarome.org.