Hamlett Dobbins Stays Connected to Memphis by the Tiber River in Rome

Hamlett Dobbins Stays Connected to Memphis by the Tiber River in Rome
Hamlett Dobbins
Hamlett Dobbins Stays Connected to Memphis by the Tiber River in Rome
Hamlett Dobbins Stays Connected to Memphis by the Tiber River in Rome
Hamlett Dobbins Stays Connected to Memphis by the Tiber River in Rome
Hamlett Dobbins Stays Connected to Memphis by the Tiber River in Rome
Untitled (for I.V./G.U.T./J.N.)," Oil on canvas, 72x60
Hamlett Dobbins Stays Connected to Memphis by the Tiber River in Rome

Hamlett Dobbins is the winner of the Jules Guerin Rome Prize in Visual Arts, the Director of the Clough-Hanson Gallery at Rhodes College, and an artist in Memphis, Tennessee.

What part of the United States did you come from?

I am from the south. I was born in Knoxville, Tennessee. When I was three my family moved back to Memphis where they were from. Aside from my time at the University of Iowa I lived in Memphis my whole life.

Why did you apply for the Rome Prize?

Several years ago I got an email from Shawn Miller saying that I had been nominated for the prize. Normally I probably would not have applied, thinking it was way out of my reach as an artist. But with the nomination I thought I might have a chance and applied.

Describe a particularly inspiring moment or location you've experienced in Rome thus far.

Oh all of it really. I think I am so caught up in it right now that I don’t think I could pick one.

To what extent, if any, has your proposed project changed since your arrival?

My project was pretty open ended at the beginning and I am finding that it’s easy to maintain that openness while here.

Have you had any "eureka!" moments or unanticipated breakthroughs in the course of your work here?

I think every day is filled with teeny tiny breakthroughs, each one seems to accumulate so slowly that it’s hard for me to notice.

What aspect of your project are you most looking forward to?

I realize that this is a chance of a lifetime and I am savoring every single moment of my time here. That leads to some wonderful time for reflection out in the world as well as in the studio.

What part of your project has been or do you anticipate will be the most challenging?

As a general rule I think painting becomes more of a challenge every day. The biggest hurdle is to filter out all the amazing things I am experiencing to process once I’m in the studio.

What's surprised you most about living in Rome?

How easy it is to find your way.

How have you managed the balance between your work (time in the studio/study) and engagement with Rome and Italy (travel, sightseeing, interactions with locals)?

I hope not. On one hand I love not knowing what any given day will hold, on the other I also like when programs and meals are scheduled. It’s gives a little structure to what is otherwise a structureless day.

How do you anticipate your Rome Prize Fellowship will influence future work?

I can only imagine.

What is your favorite spot at the Academy? or in Rome?

I love the bocce court out back but I think I love the Tiber the most. As a Memphis boy, rivers make me feel connected to the world.

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