Stanislava Pinchuk (b. 1988, Ukraine) is an artist working between data-mapping and information-mining, conflict topographies, and their place within the legacies of literature and politics of translation. Her practice spans film, architecture, installation, performance, drawing, tattooing, painting, coding and sculpture. Pinchuk is the current serving Official War Artist of Australia and has previously held career surveys at Heide Museum of Modern Art and FAC. Her work is held in the permanent collections of the HE Art Museum, National Gallery of Australia, the National Gallery of Victoria, the Australian Centre for the Moving Image, Heide MoMA, and the Art Gallery of South Australia. Recent exhibitions include solo institutional exhibitions at The Dallas Contemporary Museum of Art (curated by Lilia Kudelia) and the Australian Centre for the Moving Image (curated by Fiona Trigg), as well as the 17th Gjon Mili Biennale at the National Gallery of Kosovo (curated by Valentine Umansky, Tate Modern), Manifesta Biennale 14 (curated by Catherine Nichols, Hamburger Bahnhof) and Anti-Fascism: Now at Lothringer Halle (curated by Kalas Liebfried).